Wednesday, February 22, 2012

The in common use go back on of temple jugular carcinomatosis ...

1.five flower benefit wet tea

The [ material consumed ] honey-suckle, chrysanthemum and Ge flower, pagoda tree and Huai rice flower, kapok spends 15 for each, soil fu ling, living 30 for each of Yi Ren, the licorice is 6.

The [ production ] dips all medicine materials into 6 bowls of water about 10 mnses, the martial fire boils, and the text fire cooks for around 40 mnseses and filters a medicine residue and joins just the right amount of rock sugar then.Generation tea drinking.

(Effect)pure thermal disintoxication, benefit wet anti-cancer.

(Adapt to range)used for the temple jugular cancer, ulcers merge infected person, express to increase for leukorrhea, large intestine cancer, oesophagus cancer, liver cancer, nasopharyngeal cancer, Lung Cancer, bladder cancer etc. performance for the block in the hot and damp.

(Regulation)use with the Yun inside the hot and damp, with thirsty orifice bitterness, be constipated ketonuria Huang, the tongue is red, Tai Huang, the vein counts for the key point.If physical endowment falsely Shuai, the cold verification shows to hate to use.

2.the Yi Ren Qian solid wax gourd soup,

(Material consumed)living Yi Ren 50, the Qian is 50 solid, the sparerib is 100, the wax gourd is 500.

(Create),

(1)Will living Yi Ren and the Qian solid purgation first, soak for an hour with the clear water.

(2)The sparerib cuts a pc, the wax gourd slices a piece.

(3)Will living Yi Ren first, solid Qian, the sparerib put into watt Bao to use amid the fire cook for around an hour, then put into wax gourd to cook half an hour again and join a salt, the seasoning can immediately drink.

(Effect)the Jian spleen benefit wet.

(Adapt to range)used for the temple jugular cancer certificate to belong to wet poison inside block, there are ulcers or necrosis in the local, ooze to flow yellow smelly liquid, the lower abdomen falls to bulge and takes a meal a reduction.Other malignant tumor certificates belong to wet poison inside block may also use.

(Regulation)this square regard the Jian spleen benefit wet as principle, if the physical endowment of long disease is extremely falsely cold, move bowels Tang Xie carefully use.

3.turtle Ling soup,

(Material consumed)wad is 1 turtles, fresh soil fu ling is 250 and living Yi Ren 50, three slabs of gingers.

(Create),

(1)Go to wad turtle after cooking the dead or kill intestine miscellaneous purgation, cut a piece.

(2)Soil fu ling, living Yi Ren the purgation slice a piece, then put into all material consumeds watt Bao, inflict clear water 2000, after martial fire boil, the text fire cooks for 2 hours, the seasoning can immediately drink.

(Effect)the Jian spleen benefit wet, counteract poison anti-cancer.

(Adapt to range)used for amid the later period temple jugular cancer, the certificate sees physical endowment weak, the body is emaciated and take a meal reduction, the tongue thin side contains tooth mark, the Tai white gets fed up with, the vein is thin slippery.Other malignant tumor certificates belong to the spleen falsely wet block may also applied.

(Regulation)if have no fresh soil fu ling can use dry article 60 substitute.

4.company’s six gruels,

(Material consumed)company six 10, the Geng rice is 100, big Zao is 5.

(Production)] first company six fry for 40 mnses with water, skim and take juice.Then join Geng rice and big Zao to cook into a gruel. (Effect)benefit water decrease swelling.

(Scope of application)used for a temple to merging an ascites for jugular cancer later period.

(Regulation),

(1)Company six have sterigma poison, can not be long to drink.

(2)Take by getting empty venter it, can not too many.

5.the head is black to living a black caponizing of soup,

(Material consumed)the flowery knotweed is 60 and living earth 30, black 500 caponizings, five slabs of gingers.

(Create),

(1)Cut black caponizing purgation a standby.

(2)Flowery knotweed, living a purgation dicing.

(3)Put all material consumeds into watt Bao, inflict water just the right amount, the text fire cooks for 2 hours and seasons then and drink soup carnivorous.

(Effect)reinforce body fluid to increase the blood.

(Adapt to range)used for the temple jugular cancer Yin falsely anemia, Anemia, cachexia, the certificate sees a body emaciated, complexion Wei Huang Wu Hua, claw A paleness, or the vagina irregularity bleeds. ,

(Regulation),

(1)This square with nourishing Yin sanguis for lord, if have the outside feeling the heat rum to hate to use.

(2)Move bowels an of Tang Xie to hate to use.

6.Huang Mao Zhou,

(Material consumed)living yellow Mao 30, living Yi Ren 30, the red and small bean is 15, the gold inside the caponizing is 9, the cumquat a round flat cake is 2, and the glutinous rice is 30.

(Create),

(1)Yellow Mao, living a Yi Ren and red and small bean, gold inside the caponizing and glutinous rice respectively purgation standby.

(2)Cook yellow Mao by water 1000 first for 30 mnses, get to skim, put to go into to living Yi Ren, the red and small bean cooks for 30 mnses and puts into the gold inside the caponizing and the glutinous rice again and cooks into a gruel and takes sooner or later through 2 times.Chew cumquat a round flat cake 1 after taking, take once everyday.

(Effect)the compliant cancer physical endowment is weak, dyspepsia of sufferer.If amid the later period temple jugular cancer or post-operative, chemotherapy empress of sufferer, the certificate sees a corpus tired tired, complexion paleness, short gas, the Na is foolish, the tongue is thin, the Tai is thin white, the vein sinks thin particularly for feat.

(Regulation)this square fastens a famous old doctor the Yue is beautiful amid from set of”compound prescribe Huang Mao Zhou”, nourishing Jian spleen of the force is better, if outside heat rum carefully use.

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Enju no Jashin – The Evil God in the Pagoda Tree « 百物語怪談会 ...

Translated from Mizuki Shigeru’s Mujyara

Long ago in Koshu (Modern day Yamanashi prefecture), on the base of Mt. Minobu, there was a dark forest where great trees lined up in a row. Inside the forest was an ancient Japanese Pagoda Tree. The tree was worshiped as a spirit, and a shrine had been built near the tree. However, anyone who passed by that tree after sundown had to leave an offering of silver and gold, or fine clothing, or anything of monetary value. Those who ignored this custom would suffer a terrifying curse. Now, I say that the tree was a spirit, but those in the town called it the mori no jyashin, the Evil God of the Forest.

At one time, a poor but hardworking farmer heard that his mother was dreadfully ill. He fled back home to see her, but the quickest path to her house took him right in front of the tree, and he had nothing to leave as an offering. There was nothing to be done, and as the famer rushed by the tree he prayed to the evil god, making a promise that he would come back later with an appeasement. But from the tree an empty suit of armor appeared and followed the man. The farmer dropped to the ground, bowing his head against the ground and begging the evil god for forgiveness. Appearing to accept the promise, the armor disappeared.

The following day, because the farmer terribly poor, he could only muster 500 mon in coins for an offering. Apparently this amount did not please the evil god, who cast the farmer into a giant pot and set him to fire preparing to make a dinner of him. The farmer prayed most solemnly for his life, and his prayers were heard. The son of the diety Fudo Myo appeared, and dispensed with the evil god. Not only that, all of the money and goods that had been paid to the evil god by the village was returned.

Although the villagers called the entity in the tree a spirit, I think it is more likely that some kind of yokai had settled down there.

Translator’s Note:

The name of this story is Enju no Jashin (槐の邪神). The enjyu tree is a species called Sophora japonica, and is known in English as either the Japanese Pagoda Tree or the Chinese Scholar.

Further Reading:

Check out other magical tree tales from hyakumonogatari.com:

Ochiba Naki Shii – The Chinkapin Tree of Unfallen Leaves

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Monday, February 20, 2012

Getting Started With Your 1st Bonsai Tree | Quotes To Live By

Bonsai is a popular Japanese art form that literally means “gardening in trays“. Though it originated in China, the people of Japan have been perfecting the art for thousands of years. Beginning your own bonsai can be exciting, but it can take many years to get the first tree started. With this in mind, beginners will want to take baby steps towards becoming great bonsai artists.

Getting Started

Before you begin your bonsai garden, you will need to choose quality materials. Some of the items you will need include containers, fertilizer and water. Of course, you will need to choose your plant, as well. Do not buy cheap bonsai trees in a mall or grocery store. Many experts agree that these items are not true bonsai, and you will not learn the true art with these plants.

Choosing Your Tree

Choosing the right type of plant for your first bonsai tree is important. Of course, you will want to choose something that you like and find aesthetically pleasing. You will also need to consider where you will keep your bonsai tree. Do you plan to keep it in your home or outdoors? What is the climate like where you live?

Types of Trees

If you read the post at http://www.bonsaitreegardener.net about starter bonsai trees, there are many types of plants that are considered to be good for your first bonsai experience. Boxwood is good because it is easy to grow and does not require too much effort to maintain it. It is also a very pretty plant. The Japanese White Pine is great for those who plan to grow their tree outdoors. However, it does grow slowly. If you are looking for something a little more unique, try Dwarf Bamboo. This plant can grow very tall and can be separated when it is replanted. Finally, the Japanese Pagoda Tree is popular with beginners, because it is small, making it less cumbersome to handle. Many also enjoy its tiny flowers that bloom during the summer.

Caring for Your Tree

No matter what type of plant you choose, knowing how to care for it is the most important thing you will learn. You need to know how much light and shade it needs. You need to know the difference between types of fertilizer and which ones are required for the plant you use. You will need to know how often the plant needs to be watered, how often it should be pruned and when it should be moved into a new container.

Bonsai Requires Patience

Bonsai may seem difficult to many, but with time, research and patience, almost anyone can do it. Just don’t be discouraged if it takes a while to learn how to grow your tree. One mistake many people often make is associating bonsai with general gardening. While some elements are the same, the art form can take many years and several baby steps to perfect. Once you do achieve the look you desire for your plant, you will understand why people across the world have taken up bonsai.

Starting your own bonsai tree requires patience, adherence and diligence. Visit Bonsai Tree Gardener to read more about how to get started with your own bonsai trees. Subscribe to the The Best Guide To Bonsai Trees’s RSS Feed for weekly updates.

Sunday, February 19, 2012

Pagoda tree (not quite finished version) | Flickr - Photo Sharing!

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Saturday, February 18, 2012

TREES LANDSCAPE ELEMENTS | archidude.com

CONTENT:

1.Ashoka Tree

2.Pagoda Tree

3.Jacaranda

4.Gulmohar

5.Amla tree

6.Kachnar

7.Amaltus

8.Neem

9.Drek

10.Bottle brush

11.Devils Tree

12.Red Silk Cotton Tree

13.Ceiba

14.Kadam

15.Tamarind

1.Polyalthia Longifolia

2.Plumeria Alba

3.Mimosae Folia

4.Delonix Regia

5.Phyllanthus Emblica

6.Bauhinea Variegata

7.Cassia Distula

8.Azadirachta Indica

9.Melia Azedrach

10.Callistemon Lanceolatus

11.Alstonia Scholaris

12.Bombax Ceiba

13.Ceiba Pentandra

14.Neolamarckia Cadamba

15.Tamarindus Indica

Ashoka tree (polyalthia longifolia)

¢Evergreen tree is native to India and Sri Lanka.

¢Indigenous to India, Burma and Malaysia,

¢Slow-growing, erect tree, small and evergreen, with a smooth, greybrown bark.

¢It is a columnar shaped tree.

¢The crown is compact and shapely.

¢The leaves are in the shape of lance, dropping,

¢The young leaves are translucent and red in colour also    remain pendent even, after attaining full size.

¢In strong contrast to these fiery blooms is the deep-green, shiny foliage.

¢Each of the 30 cm. long leaves has four, five or six pairs of long, wavy-edged leaflets.

¢The straight or scimitar shaped pods are stiff, leathery, broad about 20 cm. are red and fleshy before ripening.

¢Flowers are star shaped.

¢Highly esteemed as an avenue tree.

¢It is generally grown at a distance of 3mts.

¢Branches are hanging (pendulous habit).

¢Flowers are yellowish green in colour and appear in the month of february-april.

Jacaranda (mimosae folia)

Morphological Features:

¢It is a beautiful tree of medium height 18m.

at the most  with big leaves divided into such

tiny segments that the whole has the finely

cut appearance of a fern.

¢Each little leaflet is a pointed oblong and, at the end of each pine is a leaflet slightly larger than the others.

¢The flowering season is from March to May and, unfortunately, does not last very long, but odd trees are often to be found blooming out of season.

¢It is one of our loveliest garden trees, both the flowers and leaves having a definite charm of their own.

¢In the North-West it has been fairly freely planted as it propagates easily in the sandy-soil, but elsewhere it is all too rare, it is a native of Brazil and its fifty species are widely distributed in the islands of the Caribbean, South America, through to Florida and Mexico.

¢Because of its outstanding beauty it has been introduced into many tropical and sub-tropical countries.

¢An avenue of Jacarandas, such as one sees up-country is an unforgettable sight when, from end to end, every tree is swathed in blue.

Gulmohar (delonixregia)

Morphological Features:

¢The Gul Mohr is one of our most striking ornamental

trees and each April one cannot help but wonder how a

bare, gaunt tree, standing in dry, hard earth (.in produce

such a wealth of glorious bloom.

¢Within a week of the first blossom appearing the whole

tree is sparkling with vivid splashes of crimson and orange.

¢In May the pale, rich green of the new foliage unfolds and the tree develops a feathery grace.

¢Bare. grey branches and long ugly, black pods are all hidden and the spreading canopy ot green lace and scarlet blossoms is at its loveliest.

¢There is a wealth of variety in the shades of crimson and scarlet, some trees being almost orange and others a deep, deep red. Each has its admirers.

Neem (Azadirachtaindica)

Morphological Features:

¢FAMILIAR to most people for its medicinal properties the Neem is recognized by few, in spite of its distinctive leaves and annual profusion of sweet-scented flowers.

¢It is a medium-sized or large tree with a straight trunk, elegant in form and evergreen, a native of India; Malaysia, Burma and Sri Lanka, thriving best in the dry zones.

¢The flowers, which appear from March to May, are tiny stars borne in great number on long, drooping stems which spring from the axils of the leaves.

¢The five whitish petals surround a yellow funnel which contains the stamens and the style. Bees and other insects are attracted by the pollen and buzzing swarms can usually be seen hovering round the tree all through the flowering season.

¢Later when the fruit is ripe the tree is visited by numerous birds.

¢The long, pendent leaves, crowded near the ends of the branches, bear up to twenty-nine or thirty-one curiously shaped leaflets.

¢Each about 7.5 cm. long, they are deeply serrated, sharply pointed and curved like a scythe.

¢Their fresh, green colour and shining surface give the tree a delicate and charming appearance and during the monsoon when the flowers have fallen and the tree is in full foliage, the curved, toothed leaves, massed round the branches, have a distinctive appearance easy to recognise.

Friday, February 17, 2012

Paper making with medicine-dyed fabric » Sigrid Holmwood

After having experimented with various dyes found in Traditional Chinese Medicine over a period of several months, I finally chose a selection that I would use to make paper. For my linen, I chose a ‘primary colours’ pallette of indigo blue (quing dai 青黛), pink/red madder root (qian cao 茜草), and yellow amur cork tree (huang bai 黃柏).

red (madder), yellow (huang bai), blue (indigo) linen

For my cotton denim, I chose a related pallette of blue from denim scraps from a factory in Guangzhou, China, that my friends at Vitamin Creative space posted me, a purple from madder (qian cao 茜草) modified with iron (铁), and a yellow of pomegranate rind (shi liu pi 石榴皮) over-dyed with pagoda tree buds ( Huai Hua Mi 槐花米). I will explain a bit more about the last two.

Iron can be used to modify the colours of dyes. It tends to make colours darker and more somber, and in some cases can even turn the dye black. The process is generally called ‘saddening’. The iron can be added to the dye bath half way through, or an iron bath can be made separately in which you soak the freshly dyed material.

On the left is a sample of denim dyed with madder, on the right is a sample dyed with madder and then saddened with iron

The yellow denim was especially fun to dye. During our time in WuMu, the mother, Yu He, kept feeding us pomegranates from their tree. We would throw the rinds to the little piglets running around the courtyard. However, it turns out that pomegranate rind is a Chinese medicine used for treating diarrhea, worms and haemorrhoids so I guess the piglets had very healthy bottoms. It is also used in dyeing in East Asia, not only because it is a yellow dye in itself but also because it is rich in tannins and therefore helps other more fugitive dyes bind to the cloth. The Pagoda Tree is also known as the Chinese Scholar Tree, and was often planted around Buddhist temples and at the graves of scholars, much like the Yew tree in Britain. It’s name in Chinese characters is 槐, which is composed of 木 (“wood”) and 鬼 (“demon”)… it seems that there is a spirit in this tree. It’s flower buds can be used as an anti-inflammatory and to stem bleeding, but is also a fine yellow dye. Curiously, pomegranate rind and pagoda tree flowers together make a surprisingly strong yellow in comparison to either dye on their own.

Pomegranate rind and Pagoda Tree buds are more than the sum of their parts

medicine-dyed purple and yellow denim

My reasons for choosing cotton denim and linen fabric is that this different fibres will make different papers. My plan was for the linen to be over-beaten to make a translucent paper, while the cotton denim would make an opaque solid paper – and in order for all my beautiful medicine-dyed fabrics to be made into paper they had to be cut to pieces!

all chopped up

Then I had to take my coloured rags all the way up to Glasgow, to the workshop of Alison Newman – Pulp Paperarts Workshop. She is the only person in the UK who offers a workshop where artists can use her facilities and expertise to make their own paper. I wanted to make big sheets of paper and for this I needed another pair of hands, huge vats and molds, and a big press. Above all, however, I needed a hollander beater to turn the rags into pulp in the first place. While the Dongba paper in Yunnan, China, could be made by beating the plant fibres by hand, the European method of paper making from rags requires machinery. In the early days this would have been done by water powered stamping machines, but in the 17th century the Dutch invented the wind-powered ‘Hollander beater’ which was more efficient. These days the Hollander beater has changed little in design except that it is powered by electricity instead of wind.

1751–65.”]

18th century engraving of a Hollander beater from Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers, vol. 5 (plates), Diderot & d’Alembert. Paris

my madder-dyed linen being beaten in Alison's Hollander

Making big sheets of paper is a two person job with such large molds.

Alison and I formed sheets of paper from the overbeaten pulp made from the indigo-dyed linen

Large sheets of paper made from the cotton denim dyed with pomegranate rind and pagoda tree flowers on the left, and saddened madder on the right. The piggy in the middle is the odd one out - denim from a jeans factory in Guangzhou

Paper made from over-beaten linen dyed yellow with huang bai, pink with madder roots and blue with indigo from the fermentation vat. The paper is crinkly because it has been air-dried

Translucent paper made from over-beaten linen dyed with madder and indigo.

This paper above is more translucent than the crinkly paper that has been air-dried because it has been dried flat between boards. The yellow huang bai dyed linen is still drying between boards in Alison’s workshop. As you can see the paper is a bit lighter than the original dyed rags, something which I had anticipated. The action of the hollander beater has beaten quite a lot of the dye out, especially the over-beaten linen which spent two days in the hollander, but I think it has a beautiful tone. This paper has been five months in the making and it is almost ready to paint on. I also have some left-over pulp in my freezer ready for making smaller sheets and doing some paper casting. I owe a big thanks to Alison for helping me.

http://www.paperartsworkshop.co.uk/